As a final touch, go to Options / I/O Labels in the Mixer to name your inputs and outputs, otherwise you'll forget what's going where! Using The I/O Plug-in The new additional inputs and outputs are now ready for use. A re-launch of Core Audio is required for the newly assigned device to take effect. (You may also need to pay attention to which acts as digital clock master in certain circumstances.) While you're here you can name the new Aggregate Device, by double-clicking on it and entering a new name.įinally, in Logic, go to Logic Pro / Preferences / Audio / Devices to select the new Aggregate device. This will affect the order in which the inputs and outputs appear in Logic. You can re-order the list by click-hold-dragging them into your preferred configuration. Click on the '+' button to make a new Aggregate Device and select the interfaces you wish to use from the list below. Then select 'Open Aggregate Device Editor' from the Audio menu. With all your interfaces connected (and any necessary drivers installed), open Audio MIDI Setup and select the Audio Tab. Even if you're using all available ins and outs, remember also that Core Audio within Mac OS 10.4 (Tiger) can set up aggregate audio devices, which enable you to use more than one audio interface at a time (see 'Setting Up Aggregate Devices' box for more information).Īs part of Core Audio, the Audio MIDI Setup utility (under Utilities inside your Mac's Applications folder) provides a neat way of combining all your audio interfaces to make an 'Aggregate Device' which can be available to all applications. But don't eschew your current audio interface if it doesn't have a ton of analogue inputs and outputs on the rear panel many interfaces have various types of connections, including digital ones, which will be useful if your gear has got the corresponding connections. How many connections you'll need depends on how much equipment you want to connect. It is important to note that, to take advantage of your external gear you will need multiple inputs and outputs to your computer system. But are those compressors and EQs, that expensive reverb and all those synths really worthless now? Not necessarily this article will suggest methods of incorporating such equipment into a 'mix in the box' Logic setup. Secondly, and perhaps more importantly, it is quicker and easier to work in a 'total recall' setup where projects can be re-opened, sounding exactly as they did when you closed them, without having to note and then reposition every knob, button and preset in your studio.įor those who have adopted this way of working, the issue of what to do with all the 'old' hardware will almost certainly have arisen. Firstly, less space is required: you don't need a massive mixing desk any more. As computers and DAW applications become more and more powerful, there is a drive towards the 'mix in the box' approach to music production. Audio from hardware synths that are being triggered via MIDI inside Logic is also being routed back in. The two buses allow audio to be sent to two separate hardware effects units, while their inputs are channelled back into Logic's mixer. This screenshot shows hardware and software processors and instruments being used simultaneously inside a single Logic project. He now also makes awesome weekly tutorials for Logic Pro X! For more expert advice, interviews, news and reviews visit . Subscribe to the MusicTech YouTube channel now for weekly DAW tutorials, new product news and much more.Many Logic users have external hardware processors and effects units, which can easily be used inside projects. Outside of that, he also produces and composes for various projects and writes reviews for MusicTech magazine too. He’s a professor in Guildhall’s Electronic Music Department, teaching BMus Year 2 Dance Music project for Electronic Music’s Principal study course. Jono Buchanan is an Apple Certified instructor, with tons of experience under his belt. In our Logic Pro Tips series, MusicTech’s Logic expert Jono Buchanan breaks down music production on Apple’s professional DAW.
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